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A ghost ship that kills planets shakes Apple TV + science fiction


Apple TV + space opera Foundation deals with all kinds of ghosts in this week’s exciting work. Haunted ships with wishes for death, old friends brought back from the dead and new powers discovered in the darkest hour.

Brother Day makes a stupid decision to outwit the religious order, Salvor Hardin must cooperate with his captors so that the rescue mission does not become suicidal, and Brother Down discovers the joys of sex.

Foundation Review: ‘Mysteries and Martyrs’

In an episode called “Mysteries and Martyrs”, Phara (played by Kubbra Sait) finds a mythical ship Invictus. The legendary spaceship that kills planets terrorized the galaxy many years ago, but was sunk and disappeared for decades. (You could, if you robbed Isaac Asimov’s original novels for inspiration to make a space movie in the 1970s, call Invictus “Death Star.”)

Pharaoh and the Anacreons plan to board it and use it as a weapon against the Galactic Empire. The problem is that the ship’s defense systems will not respond to Anacreon’s commands. However, he could listen to some of the Terminus citizens born in Trantor who were abducted. So he goes on a ghost ship to Salvor Hardin (Leah Harvey).

Of course, there is a catch. There is a reason Invictus is called a ghost ship. It has a self-defense mechanism. Every few hours, it jumps somewhere randomly in space. So, if they can’t gain control of the ship, it could send them into a black hole, or into the middle of the planet, or into the heart of the sun. Salvor and Phara will have to set aside their differences to get to the control panel before the ship jumps again and may kill them both. It’s easier said than done.

The brothers continue their adventures

Meanwhile, Brother Day (Lee Pace) ‘s journey to the farthest part of the galaxy proves to be a real headache. The prophetess Zephyr Halima (T’Nia Miller) finally revealed her true purpose to him. She, like Harry Seldon (Jared Harris) before her, wants to end imperial cloning, the system that Brother Day produced in general.

Fearing that he would lose Halima’s voters, and that he might indeed lose the affection of a growing number of people, he decides to embark on a holy pilgrimage that people of Halima’s faith take for spiritual guidance. It kills some and maims, blinds and starves others. But he can’t half grab his power. It’s all or nothing now.

Brother Dawn (Cassian Bilton) took his relationship with gardener Azura (Amy Tyger) to the next step. Not only do they finally have sex, but he also shows her the secrets of the Galactic Empire. She gives him a gift to help him correct his color blindness, but explains that she will kill him and replace him with a clone they have on standby if he shows external signs of deformity. Azura suggests that they run away, and he is tempted, but also scared. Brother Dusk (Terrence Mann) is already watching him like a falcon, bored that Brother Day is gone.

Gaal Dornick (Lou Llobell) makes contact on his spaceship with some kind of electronic spirit of Harry Seldon. Before he died, he put his digitized copy in the ship, so that she could talk to his old man for a few minutes (who is dying from the sting that killed him). She has limited time to ask what his plan was before he ran out of oxygen.

To bring the empire to its knees

Foundation the final return of actor Jared Harris almost made me get up and cheer. The show has been good since he left in episode 2, but you just can’t introduce one of our best actors and then keep him off without me starting to kick.

However, he is now back, and in fine form as his holographic consciousness verbally parries with Gaal Lou Llobel. The introductory shelf of this show really left wrong impressions about her and Alfred Enoch’s performances, because they have been great ever since.

Llobel’s intense feeling of betrayal in the face of the blessed and calm Harris who once again surpassed her is affecting. She can’t really argue with him because he’s not there to understand her condemnation and anger. She knows that, but she can’t keep her feelings to herself. And he doesn’t know when he will be able to express them to another living person.

More great performances

Foundation it repeatedly becomes great when it mixes the dynamics of its performers. Bilton’s and Tiger’s duel of strangeness and distance brings warmth from both of them, which is very deep below the surface. Harris and Llobel try to find logic in the chaos, and she doesn’t want to admit that fate can be cruel and sometimes it’s the end, it’s perhaps the most exciting series to date.

Harvey and Sait try to kill themselves, but can’t make the already tense scenes at Terminus (and now Invictus) even more fun. Salvora’s allies are rapidly dwindling, which means that it seems more and more up to her to stop the terrorist attacks of Anacreon, which will put her in an interesting place. The child of exiled defectors who save the home of galactic tyranny. Wouldn’t that be something?

Look Foundation on Apple TV +

New episodes Foundation arrives on Apple TV + on Friday.

Rated: TV-14

Look at: Apple TV +

Scout Tafoya is a film and TV critic, director and creator of a long-running series of video essays The Unloved for RogerEbert.com. He wrote for The Village Voice, Film Comment, The Los Angeles Review of Books i Nylon Magazine. He is the director of 25 feature films and the author of more than 300 video essays, which can be found at Patreon.com/honorszombie.





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